Feature Purresentation:
an intermew with UK artist Emathyst
Yvonne:
Emathyst is such an astoundingly brilliant artist, and you would never guess she was just now starting her University studies, because of the supurrb quality of her art, you might think she is a long time purrfessional illustrator, nya! She’s just 18, originally from Suffolk in the UK but is purresently at a university, nya. The gallery of her art is at http://emathyst.deviantart.com/, where you’ll see such a wonderful range of images, from the adorably cute to steamy sexy, but no matter the subject, her exquisite detail and mastery of color & light are so refined and elegant, nya.
We are so purroud to have a commissioned digi painting by her of an exotic catgirl, in the Guest Wing of the Catgirl Island Mewseum of Art http://www.catgirlisland.net/art/guest/217.html , nya! She’s been understandably so busy with her studies, so we were so happy that she had time to take a winter break and visit our sunny little island, nya! Aloha Emathyst! Welcome to Catgirl Island and The Mew! Here’s your beverage and appurrtizers, nya! So when did you first realize that you had a knack and enthusiasm for visual art, nya?
Emathyst:
Ey up! ^^ Well to be honest I don’t think there was really a set time that I realised I enjoyed art because its been a part of me my whole life (as it is with most other artists). When I was young I used to love drawing like any kid and it was a hobby on and off throughout my life until I visited Germany in 2003 ish I guess when it got serious. I saw some of the things my penfriend could do and instantly wanted to be just as good so I started practicing…
Yvonne:
Have you fortunate to have supportive family, friends and teachers to encourage your artistic expurression, nya?
Emathyst:
I would say so yes. Everyone around me has always been encouraging towards my art in some kind of way; either being nice with comments or giving me helpful criticism to ways I could improve. I used to get a few immature comments about my work…but you get that anywhere you go I guess.
Yvonne:
Well that happens, nya. But I bet those rude comments speak more poorly about those detractors’ fragile egos than it does of your fine art, nya! But I’m glad you have supportive friends and colleagues, nya! Who are your favorite artists, or other most inspirational people, nya?
Emathyst:
I always struggle with this type of question because I really do not know many well known artists. I feel that if I look at other peoples’ work too much then I get jealous and try to change to their style too much *heh I am never happy with my own work* However as for inspiration I have a few people on deviantART who I watch and always enjoy looking at their work. Just a few of them are: asuka111, michelle84, elsevilla, extvia and klar. They all have very different styles, but I always find myself flicking through their galleries quite frequently ^^
Yvonne:
I bet a lot of folks are inspired by your art too, nya! How would you describe / a characterize the style of your lavishly detailed art, nya?
Emathyst:
Hmm…I never really feel my style fits into a category. It kinda floats between a few XP I would say when drawing, I try to go for a realistic-anime style? I used to try to get good at both styles individually but ended up combining the two to get what I do now. Quite recently though, I have been trying to go for a more realistic/fantasy style. I want to be a concept artist in the future and so I think I would have a lot of fun with that kind of style. Would be interesting to see how it develops in the coming months now that I’ve started my concepts course.
Yvonne:
Aside from the art, what are your other interests and hobbies, nya?
Emathyst:
Being a student makes it very difficult to put time aside for hobbies. I guess if you can count them, then I like to go out a lot with friends: go clubbing, watch films, play pranks on each other…(not sure if that really counts XD) I also like to play games. Anything from Guild Wars and WoW on my PC to theme hospital and Crash Bandicoot on my Playstation. I enjoy reading manga, and quite recently playing pool (snooker) with my boyfriend. Going down to Mile End pool club is rather fun at 3am :D *cough* Is also a maths geek *cough*
Yvonne:
Those are some good games, nya! There are some billards here on the island if you’re interested, nya! Usually my kind of pool is the kind with water in it, nya. What are your favorite books, comics, movies, TV shows and mewsic?
Emathyst:
Bah! There is too much to choose from! X3 But if I had to decide…then my favourite book/comic would have to be the manga DearS. I love the art in that so much! I never get to watch TV *doesn’t have a lisence* but I love watching films. I’m quite open minded with things like that so I’ll watch anything. I loved the old Labyrinth film with David Bowie in o3o I think that would have to be favourite of all time. But I also love Disney films…comedy and action. As for music my taste changes all the time. I go through phases of loving rock / metal and then dance/trance… Drum & Bass… Garage. Some of my favourite bands being Linkin Park, Prodigy, Pendulum and Adema.
Yvonne:
Yay Labyrinth, nya! What formal art / design training have you received, and have you won any awards, nya?
Emathyst:
I always wanted to go to a specialist art school when I was younger but my parents never really took any action so I’ve just had normal education. I went to Primary school, High school, 6th form and now I am in my first year at University. I studied art and textiles in both High school and 6th form but I was never really allowed to specialise in the things I like. Now at university I am taking a Games Concepts Design course which is helping me in areas such as 3D modelling and things I have never done before. But as for learning to draw and developing my style I guess I have done it all myself with help from tutorials on the net and some books. As for winning any awards, if they count then a couple of small village fete trophies! And small competitions around the net.
Yvonne:
Please tell us more about that college experience, and of your career aspurrations, nya?
Emathyst:
I am currently in my first year of University so I don’t know if that counts as being college? But I am currently studying Games Concepts Design. For the past couple of years I have wanted to be a games designer of some sorts, doing something that would be art based but still get me a decent job in the future. Recently however I am very much missing my maths. X3 I studied it at A-level and I loved the challenge it gave me so I am thinking to transfer to a maths based course….but I still want to be a games designer…so right now its kind of mixed feelings and I’m going to see where my current course takes me in the next month or two.
Yvonne:
What are your favorite tools, techniques and media for illustration and graphic design, nya?
Emathyst:
Well for the first 4 years or so of drawing serioulsy I have always favoured pencil and paper. Now that I have a tablet, I do enjoy digital painting but I will always be loyal to pencil, paper and sometimes the odd biro or two. Occassionally I will paint traditionally but I’m never really happy with the outcome.
Yvonne:
Could you explain the purrocess a typical illustration, from initial idea to finished rendering, nya?
Emathyst:
Recently I’ve been trying slightly different methods of colouring to try and get a more painterly feel so thats changed up how I would paint. Generally I will always start with a pencil sketch. These are always really rough with lots of scribbles and notes. Sometimes if I’m having a bad day and cant get angles / proportions correct then I will turn my drawing into a jigsaw type thing, cutting out bits I don’t like and redrawing them, or rotating them and sticking them back down. Its quite fun to do! After that I scan it in and either outline and then colour it (on different layers), or do both together on one layer. I’d always do the character first and then focus on the background last along with the more noticeable highlights,shadows and any text that was in the image.
Yvonne:
What is the typical size of your images, and Is there an average amount time it takes to complete a typical work, nya?
Emathyst:
Size varies a lot. I got into a very bad habit of outlining an image at a really large scale and then resizing it to no bigger than double the size of my screen work space (to get smoother lines). When printed off most of my images would never fill an A4 page. More recently though I have tried working on a larger scale. I think it was the image I done before yours that was the first piece that would print off larger than A4. Then when I got to yours I tried drawing/colouring it at double the size you requested and found that I preferred using a larger scale. As for time…I don’t think I ever spend under 6 or 7 hours on a single image. If I didn’t have to be practical for the commissions I do I would probably work the image to death (I’m a bit of a perfectionist)
Yvonne:
Wel, I think so much so your art is the purrfection, nya! You not only excel at illustration and graphic design, but three-dimensional work too! What are your purrfured tools, techniques and media for 3D works, nya?
Emathyst:
*thanks X3* I’m still quite new to 3D work because I haven’t had much chance to experiment in different medias. I do love using fabrics and materials to create clothes and bits and pieces like that. (I had a few years where I wanted to be a fashion designer) And textiles has always been quite a big part of my education since High school because it was a subject I chose to do.
Quite recently I’ve been doing a bit of clay work. Just messing about making little charms and things. I think I had to chose a preference though it would be with the textiles purely because of the limitless amount of materials you can use and you can manipulate them in so many ways to create exciting things (A-level Textiles kicking back in there) Its always fun to just play around and see where you get at the end of it.
Yvonne:
What are the most ideal conditions, times & location for you to work, and what do like to listen to while working, nya?
Emathyst:
I can work in pretty much any condition…except for maybe if my fingers were frozen. I mainly do my art in my room because I have all of my resources there so its quicker, but its always fun to sit and draw outside or if I get bored on journeys. The only problem with them though, is that I am easily distracted! (which is why I never draw infront of the TV) As for music I listen to…it can be anything. Normally I stick all of my music on shuffle and let it play through. Once I really get into a drawing, I tend to forget about the music.
Yvonne:
If you ever get a creative block or slump, or times when you lack the creative mood, how do you overcome those, nya?
Emathyst:
Those times are the most difficult for me because I find it really difficult to get motivated sometimes ¬.¬ I normally get like that when I have a build up of work and can’t choose what to do first.
The easiest (and hardest) way for me to overcome it is to force myself to sit and finish one of the pieces I am working on. I usually get bored and hate the image by the end of it but at the same time it restores the enjoyment I get from being creative in that way and feeling like I have achieved something….that doesn’t really make sense. But it works for me!
Yvonne:
What do you enjoy drawing the most, nya?
Emathyst:
I absolutely love doodling and making up characters. I prefer drawing females to males mainly because I have only started to learn to draw males in the past year or so and I can never get them right *grrr* I seem to always end up with a rather sexy female character wearing minimal clothing by the time I finish drawing….what can I say its easier to not draw clothes! Joke joke ^^ I guess I developed my drawing that way and it’s stuck with me as something I enjoy drawing.
Yvonne:
Oh we’re kinda known for the abundance of scantily clad fellow catgirls, mermaids and faeries here on the island, so that’s fine with us, nya!
Emathyst:
Quite recently I am also enjoying realistic portraits. I find it quite a challenge sometimes but I feel that its helping to develop my style a lot.
Yvonne:
I can see how that would be tough, nya! What do you least enjoy, or purfur not to draw, nya?
Emathyst:
As I have recently found out.. vehicles and anything mechanical! That is the only module I am really struggling with on my games concepts course right now. I just generally find it hard to come up with anything that looks good to me. Its completely different from drawing figures because its so angular and ‘male’?(not being sexist) I’ve never really been into cars and because I don’t have that passion for it, I guess my imagination and mind don’t put any effort in and so I come up with crap ideas.
Yvonne:
Mecha would be a complex thing to draw, nya! How busy do you stay with commissions, and what do you mostly get requests to illustrate?
Emathyst:
I am always too busy X3 I set myself to say 2 or 3 at a time but end up adding in bits and pieces everywhere until my list has extended to say 10 pieces. I find that I am really bad at saying no and am equally as bad at organising my time effectively to get them all done! Hmm…I’d say I mainly get requests for basic pin-up style drawings of people’s characters, fully coloured with a simple background. These are mainly female characters again because I have more experience with drawing them and they are usually ‘cute’ or ’sexy’….Although quite recently I have been asked to draw quite a number of character sheets (which is always fun to have a change)
Yvonne:
Those character design sheets you make are so amazing nya! Not just the characters in multiple views, but the actual graphic design of the sheets themselves are of purresentation quality, nya! Do you tend to do mostly commissioned original art for clients, or mostly sell art purrints to customers?
Emathyst:
Individual commissions…I don’t think I have ever sold a print of another piece. I don’t get enough time to do my own personal pieces which I could then sell on as prints although it is something I will look into in the future. I keep the original commissions I do purely for the person who commissioned it. I would never make a print out of them because they pay for the originality of the piece I guess?…
Yvonne:
Do you exhibit or sell your art in any galleries, art shows, or conventions, nya?
Emathyst:
I have put my art in a few local art shows and things. But they have always been predominantly for traditional styles and canvas paintings so my work doesn’t really fit in. I am yet to sell anything in any type of public exhibition.
Yvonne:
Do you have any artistic advice for aspiring artists, nya?
Emathyst:
The same as any other artist would say….Practise Practise Practise! It’s taken me roughly 5 years to get where I am now and I am still not fully happy with what I am producing. In the past couple of years I have spent most of my time focusing on my education so thats probably slowed my development a bit. But all it takes is a lot of practise and a lot of determination. Maybe set yourself a target of doing atleast one sketch / drawing a day? Just to keep your talent fresh in your mind :3
Yvonne:
Are there any purrticular art instructional books or tutorial sites you would recommend, nya?
Emathyst:
Uhmm…I used a lot of tutorials when I first started drawing. I can’t remember specific sites but google is always a great help to find anything. I’ve looked at how to draw manga books (some are helpful, others are crap…I use mine mainly to look at the finished pieces rather than the step by step guides) fantasy art books, basic anatomy books…lots and lots. Realistic anatomy/life drawing is always a good place to start just to give you that basic understanding of anatomy and proportions. Deviantart is also an awesome site to check out. There are a lot of people on there that either have tutorials or are happy to give helpful advice. I always check there first for tutorials if I want to know how to do something arty.
Yvonne:
I bet you could write a good art technique book, nya! What purromotional or other business advice do you have for other artists, nya?
Emathyst:
I’m not particularly helpful with this kind of stuff. I haven’t really had much experience with business and my drawings except for a few single commissions. I guess if you are looking to sell your artwork then the best way to do it is to go anywhere you can to promote yourself? Post your work in a few different online galleries, maybe make your own website to simplify things…*these are all things I haven’t done / haven’t got round to doing* :D but have been given it as advice from other people. Start off small and work your way up. You don’t make much at first but as you get better and more people clock onto your work you’ll get more interest, more customers and you’ll find that you improve quite a lot faster because you are working to other peoples expectations.
Yvonne:
Other than your deviantArt site are there other web sites or publications where your work can be seen, nya?
Emathyst:
I used to have an Elfwood account but I have a feeling I deleted that… so nope just Deviantart ^^ It’s all in my gallery there or in my sketch book under my bed!
Yvonne:
Emma, thank you so very much for visiting with us, and for creating such beautiful works of art, nya!
Emathyst:
Thanks for inviting me and for the lovely comments =)
Yvonne:
Oh it’s our pleasure, and let us know if you want to to go out for the dancing or pool after supper, nya! Wow that was so nice to finally get to meet her, nya! Well, after this next snack break, we’ll be back to meet yet another special guest, so please stay tuned, nya!
(snip)
(one snack break later…)
Feature Purresentation:
an intermew with
comics artist / writer Andrew Pepoy
Ilyana:
Andrew Pepoy http://pepoy.com/ is a kind, purrrolific purrrofessional artist who has inked many fine comic books for DC, Marvel, Image, Dark Horse, Archie and Bongo. Among his extensive, diverse comic book credits include Batman, Justice League, Superman, Spider-Man, X-Men, Godzilla, GI Joe, Scooby Doo, Ninja Turtles, and Sonic the Hedgehog. In 2000 he boldy redesigned the Little Orphan Annie newspaper strip, and is the creator of The Adventures of Simone & Ajax http://simoneandajax.com/ whose purrevious & new tales can be read at http://www.ComicMix.com!
Andrew also wrote and drew the fashionably fun escapades of Katy Keene http://www.archiecomics.com/katykeene/home.html in Archie & Friends #101-110 which were recently collected with new material in the terrific Katy Keen: Model Behavior Volume One! He’s also recently been working on Fables and Jack of Fables for Vertigo, and issues of Futurama and The Simpsons comics. This summer he co-wrote an expanded & revised edition of The Hourglass in The Stop-Time Chronicles, a superhero tap dance opera which was purrformed at the Chicago Tap Theater and New York Musical Theatre Festival. He’s a dear friend, and one of the nicest and most talented purrsons you’ll ever meet!
Ilyana:
What was the life of the young pre-purrofessional Andrew Pepoy like as an aspiring artist and writer?
Andrew:
I mostly grew up in Holland, Michigan, a then-small town near Grand Rapids. I started collecting comics when I was about 10 and quickly got interetsed in all kinds, not just the superheroes, though I did buy plenty of those. I started drawing my own superheroes right away and published my first fanzine comic when I was 12. Kept doing those through high school and into college. It was great expeience and practice and allowed me to meet a number of people who were important to me later as a professional. I also did the usual stuff…. chased girls, listened to music, mostly punk and new wave, chased girls, went dancing, chased girls….
Ilyana:
Who are your favoritest & most inspurrational artists & authors?
Andrew:
As far as comics, far too many to name all. It was Charles Schulz’s Peanuts that started me reading comics. Some of my biggest influences are Dan DeCarlo, best known for Betty & Veronica, Roy Crane, of Wash Tubbs & Captain Easy and Buz Sawyer, Russell Keaton, creator of Flyin’ Jenny, Bob Oksner, artist of the cult-fav, Angel & the Ape, and more, Bob Lubbers, co-creator of Long Sam and artist for Fiction House, and Henk Kuijpers, creator of Franka, a Dutch comics series. There are so many more, too.
Ilyana:
What are your favorite movies, TV & radio shows, and mewsic?
Andrew:
Movies: Casablanca, A Room With a View, My Twentieth Century, Waitress, and the Thin Man movies. Anything with the Marx Brothers or Harold Lloyd.
TV Shows: Doctor Who, Pushing Daisies, Night Court, Honey West, The Avengers, Bob Newhart, Hawaiian Eye, Sam & Max, Sabrina, Monty Python, Boston Blackie.
Radio Shows: The Great Gildersleve, Jack Benny, The Whistler, Yours Truly Johnny Dollar, Rocky Jordan, Round the Horne, Old Harry’s Game.
Music: Still stuck in the ’80’s and still listening to Kim Wilde, New Order, The Smiths, Nena, Ultravox, Men Without Hats, Pet Shop Boys. Some newer bands like The Killers, The Sounds, Hello Goodbye, Apoptygma Berzerk. Been listening to lots of old jazz and swing music like Louis Armstrong, Artie Shaw, Louis Jordan, Jack Teagarden, Chick Webb, etc.
Ilyana:
What fun things did you do at Loyola?
Andrew:
Besides continuing the high school theme of chasing girls, got to explore Chicago and all it had to offer, started working in comics professionally, and met Chris Atkinson, my future wife.
Ilyana:
Andrew:
I’ve always been proud of going to the same school as Bob Newhart, one of my favorite comedians. Didn’t know about Father M.
Ilyana:
Please tell us about how you got your first purrofessional comics gig?
Andrew:
My very first was a 1-pager for Caliber Press. They’d called me a couple years earlier when I was still in high school. I just didn’t have my act together at the time, but I kept in contact with them. I drew a 1-page strip the my friend, Paul Curtis, wrote, showed it to Gary Reed of Caliber, and he bought it. Pulled out another 1-pager I’d written and drawn and sold him that, too. Started inking the next year when I ran into a couple people at a con who suggested I try it and was lucky enough to start getting work.
Ilyana:
You’ve worked for the biggest comic book publishers. Which have been your favorite titles & characters?
Andrew:
My favorite to do would be, of course, my own “The Adventures of Simone & Ajax.” Also had fun writing and drawing “Katy Keene” for Archie Comics. As for inking, I’m currently very happy inking Fables and Jack of Fables for Vertigo/DC and The Simpsons and Futurama for Bongo. I’ve had a good time inking many projects, and it often has more to do with the penciller I’m working with rather than the charater, though fun charaters are always good, too. Manny Galan on Knuckles the Echidna, Joe Staton on Scooby Doo, Ron Lim on Mutant X and more. Anything with Javier Saltares, Leonard Kirk, Yanick Paquette, Alan Weiss, and far too many more to mention.
Ilyana:
You’ve worked on the most famous super heroes, fantasy & adventure series, humor titles such as The Simpsons, and animal types like Sonic the Hedgehog and Ninja Turtles. Which do you purrfur?
Andrew:
One of the things that has kept inking interesting is working in a wide variety of styles. Superheroes, humor, Vertigo, all are interesting, and even within each style, each penciller has his own style. The last few years I’ve mostly been working on Vertigo and humor titles, so I’d probably enjoy an issue or 2 of superheroes, but I’m lucky to be working, so I’m glad to be doing it whatever it is.
Ilyana:
Among your distinctions was Little Orphan Annie, which you not only helmed but also redesigned & modernized in 2000! How difficult was that, did it have to be appurroved by Harold Gray’s estate?
Andrew:
Gray’s estate had nothing to do with it. Annie is owned by Tribune Media, who syndicate it to papers, so I had to impress the staff there. They’re also based in Chicago, so I was able to meet with them in person. Fortunately most of the original designs I came up with were approved with few changes, and from there I just worked with my editor there.
Ilyana:
What was the fans’ reaction?
Andrew:
It was mixed. Some liked it, many hated it. While fans of many properties would prefer things stay the same, the main reason something gets changed or updated is usually that it’s not selling anymore as it was, which was the case with Annie. I was ready to keep drawing it in Leonard Starr’s, the previous artist, style, but TM asked for the update.
Ilyana:
We liked the new look and her tough lady pilot friend, Amelia Santiago!
Andrew:
Amelia was new to the strip, created by me and Jay Maeder, the writer, so she was my favorite.
Ilyana:
One of the daily strips in purrticular that we yowled over was when Hans fell into the volcano!
Andrew:
Glad you liked it.
Ilyana:
Did they give you free Ovaltine?
Andrew:
Unfortuantely, no. Not even a decoder ring.
Ilyana:
You’re very good at drawing beautiful women, such as Katy Keene- who is purrticularly known for her fashions. Was that more fun or more hard to come up with so many costume changes for her per issue?
Andrew:
While it wasn’t always easy, it was the fun part, coming up with the right outfits for each story. I made up some myself, but most of them were designed from ideas sent in by the readers. They’d send drawings or a description, and I’d work on it from there. We got tons of suggestions, so I usually could find something from the fans.
Ilyana:
A fun part of the Katy Keene comic was that fans could submit their own fashion ideas. How many entries did you get? Do you still get any?
Andrew:
We got hundreds of suggestions. There are so many I’d have liked to use that there just wasn’t room for. And now the letters go to the staff at Archie to pass along to the new writers and artists of Katy.
Ilyana:
What do you reckon are Katy and her cute sister Mac up to of late?
Andrew:
Katy’s pobably still busy with her blossoming acting and singing careers, and in a romantic muddle, as well. Mac’s proably still busy with high school and trying to follow Katy along the path to stardom, while Katy tries to keep Mac’s feet on the ground and in school.
Ilyana:
Our favorite thing you’ve created is The Adventures of Simone and Ajax! When did you first get the idea for those fun characters?
Andrew:
They developed in my doodles while taking notes in college. Eventually I came up with an idea for a short story with Simone and was trying to figure out who she should be talking to in it. One day it suddenly struck me to use the little dinosaur I’d been drawing, so they teamed up. After playing around with the idea of doing more with them, outside of an annual Christmas Card, I finally started drawing a series of stories with them in 1994.
Ilyana:
We are curious: Do they have last names?
Andrew:
I’m sure Simone, at least, does, but she’s never told me what it is.
Ilyana:
What are they purrsently up to?
Andrew:
They’re appearing on www.ComicMix.com, which has posted all their older stories online, as well as running new ones now in full color. They recently wrapped up their first graphic novel, “The Case of the Maltese Duck,” there. I’m hoping to have news soon on their further adventures and hope you’ll pass it along to your readers.
Ilyana:
We heard Simone is somewhat visually reminiscent of the lovely late actress Adrienne Shelly- is that true?
Andrew:
Actually Simone developed before I ever saw Adrienne Shelly, but as soon as I saw her, I thought she’d be perfect to play Simone. So she likely effected my approach to Simone later on. She was one of my favorites, and as you may have noticed, her final movie, “Waitress”, which she also wrote and directed, is one of my favorites.
Ilyana:
Could you also compare / contrast the challenges of creating comic books from newspaper strips and web comics?
Andrew:
While Annie was a traditional strip format, so you had about 3 panels per day to move the story along, Simone & Ajax’s web adventures have been done in a comic book format, so they’re more like a traditional comic book, though I do try to have a good “break” in the story every 6 to 8 pages so it can be serialized online. However, it still needs to read seamlessly when put together for print collections.
Ilyana:
What are your purrfurred tools and techniques?
Andrew:
I usually write my stories by making a lot of notes in the back of my sketchbook. I’ll then try to write out a scene-by-scene plot, then break it down into how many pages per scene. I’m usually having to fit some certain number of pages for printing. I’ll then do a small quarter-page rough sketch of the page with the dialogue written in next to it. After that I’ll do a rough sketch of the page at print size with all the words written in, so it can easily be read like a finished page for review by my editor. I pencil the pages at either 11×17 or 14×22 on 3-ply bristol board, though when just inking I ink on whatever board the pencils are on at whatever size they are.
For pencilling I use either standard drawing pencils or mechanical pencils, depending on my mood, starting by roughing in the page lightly with a harder lead, and finishing with a softer/darker lead. I letter with a combination of tech pens and Speedball pen nibs. I’ll then do as much inking as I can with a Windsor-Newton series 7 #2 watercolor brush, followed by penwork with a Speedball C-6, maybe some other illustration points, tech pens, and finally a Hunt 102. I use Kooh-i-nor Universal ink for brushes and Pelikan A for pens. After inking I erase the pencil lines and touch up with Pro-White. I’m old-school, and so prefer to have a nice, clean, finished original, but I will make some changes in Photoshop if needed.
Ilyana:
What’s hardest: writing, pencilling, inking, lettering, or coloring?
Andrew:
Coloring, since I don’t know how to do computer coloring. All can be difficult at times.
Ilyana:
You write and draw other things besides comics too. You’ve been a graphic artist and illustrator on various purrojects, and even a playwright! Could you tell us about some of those works?
Andrew:
I’ve done designs and drawing for a few magazines and books over the years, and some logos, too. My most recent non-comics project still had a comics tie-in. I co-plotted “The Hourglass”, a super-hero tap-dance opera, with Mark Yonally of the Chicago Tap Theatre. It was story told entirely in tap and music with no spoken/sung words, though being comicbooky, we did project some captions and word ballons behind the dancers. I also designed most of the costumes and drew the posters. It ran in the summers of 2007 and 2008 in Chicago and this past fall was invited to be part of the New York Musical Theatre Festival. You can see photos from it at www.chicagotaptheatre.com.
Ilyana:
What creative or business advice do you have for aspiring artists and authors?
Andrew:
Be patient and don’t give up. Be flexible within what you want to do. And don’t expect to get rich doing it. Do it because you love to do it.
Ilyana:
What are some pending or future purrojects you’re working on?
Andrew:
I’m currently inking Fables at DC and will be inking related mini-series, Fables: The Literals, early next year. After that I’ll be returning to inking Jack of Fables. I’m also inking a number of things for Bongo, such as The Simpsons, Futurmama, and Radioactive Man. Like I mentioned earlier, I’m hoping to be doing more Simone & Ajax. You’ll be able to find updates on what I’m doing posted occasionally on my website at www.pepoy.com.
Ilyana:
What cons are you hoping to be at in 2009?
Andrew:
The New York Comic-Con in February, Comic-Con International in San Diego in July, Wizard World Chicago in August, and the Windy City Comic-Con in the fall. I’m hoping to add a couple more and will post those details on my website, too.
Ilyana:
Andrew, thank you so very much for chatting with us, and please tell Simone and Ajax to visit Catgirl island again soon!
Andrew:
Thanks for having me. An I’ll be sure to pass word along to Simone & Ajax. The way those two get around, you never know where they’ll drop in.
Ilyana:
That was fun, and he is so nice! There’ll be further nice guests when we return!
(snip)
(one short break later…)
Feature Purresentation:
an intermew with journalist & Dennis
the Menace’s gag writer Dan Johnson
Elizabeth:
There seems nary a niche of North Carolina fandom that has not known Dan Johnson. From The Triad’s USS Bonaventure chapter of Starfleet, to the North Carolina Web Comics Coffee Clatch and a purresence on numerous message boards, Dan is the multitasker fan. You’ll meet him at a many a regional convention- on BOTH sides of the tables, because as a purrofessinal author and journalist he’s often a guest at cons too. Since his college days, he’s written insightful articles on sci fi & horror cinema & TV, and intermewed living legends of the visual & purrforming arts.
Publications he’s contributed to include Scary Monsters, Alter Ego, Back Issue, Comic Book Marketplace, Con-Tour, Filmfax, Hogan’s Alley, Monster Memories, and Monster News. His work has also appeared in such online publications as Monster Kid and Monster News Online. He writes comics too, and quite a range at that, from the Japanese manga styled Herc and Thor graphic novel published by Antarctic Purress, to writing one of the funny paper’s most famous and enduring strips, Dennis the Menace! Ladies and gentlemen, please welcome The Dan-Man, Dan Johnson! Aloha Dan, welcome to The Mew! (offers him a beverage)
Dan:
Thank you, Lizzy! I’m delighted to be here.
Elizabeth:
Who has inspired you most as an author and journalist? And… Is it a stretch to assume Forry Ackerman might be an idol of yours?
Dan:
Forry Ackerman is indeed one of my idols. I first saw Famous Monsters of Filmland when I was a kid, but at the time I didn’t know who Forry was. None the less, I was taken with all the photos of classic movie monsters that the magazine contained. When I was a teenager, Forry started publishing Monsterland and I began to learn who he was and all that he had done to help preserve the history of horror, science fiction and fantasy films. One of the first out of town science fiction cons I ever attended was RovaCon in Roanoke, VA, in 1989. The primary reason I went to that show was because Forry was a guest that year. So, yeah, Forry is one of my heroes.
As for other inspirations, my favorite author of all time is Ray Bradbury. Anything by Bradbury is aces with me. I was also a fan of the Twilight Zone as a kid, and I think Rod Serling was one of the greatest influences on fantasy television ever. He was such a talented writer, and I always thought he didn’t get the credit he deserved until after his death. I also count a number of comic book writers as my inspiration. I was a huge fan of the Flash as a kid, so John Broome and Cary Bates were two of my favorites. Also, I thought Stan Lee and Steve Ditko’s run on Spider-Man was as perfect a comic book as there has ever been, so I count them high on the list of men who inspired me.
Elizabeth:
What are your favorite scifi / fantasy & horror movies & TV shows?
Dan:
Well, as far as favorite television shows go, Twilight Zone is way up there for sure. I am a fan of all the various incarnations, with the exception of the last one that was on UPN. I also enjoy the original Outer Limits; all the Star Trek shows, with the exception of Voyager; the original Kolchak: The Night Stalker; V; The Prisoner and Tales from the Darkside. Then there are the shows I really, REALLY like, the shows that I consider to be the best programs of all time.
Those include Babylon 5, which is brilliant, and like a good novel, keeps getting better and better each time you see it; Red Dwarf, one of the best Brit Coms of all time and in its own right a really good science fiction program; The Adventures of Brisco County Jr., which is, in my opinion, one of the few shows to have a perfect season with no stinkers in the bunch; Firefly (what the heck was Fox thinking when they cancelled this show?); Farscape (what the heck was SciFi Channel thinking when they cancelled this show?) and of course there is Doctor Who, both the original and new series. I might give the new series the edge simply because the special effects finally are on a par with the scripts.
As far as current programs, I never miss Smallville or South Park, which has elements of science fiction and horror from time to time. As far as movies go, I am a child of the 1980’s. I love the original Star Wars Trilogy; the Indiana Jones films; The Last Starfighter (my dream project is to write the sequel to that movie); Ghostbusters; the Evil Dead movies (Bruce Campbell is THE man) and of course the Star Trek films. I also like classic science fiction and horror, like the Universal Monster movies; the AIP horror films of the 1950’s; Day the Earth Stood Still and the Planet of the Apes movies.
I have to admit that I am a superhero junkie. These days the only films I make a point of seeing in the theater are superhero films. I am a big fan of all the Marvel movies, but especially liked Iron Man and Spider-Man 2. Also, I love superhero shows of all kind, from George Reeves’ Superman to the various Bruce Timm animated programs. Basically if there are people in spandex running around and beating the crap out of one another, I’m there!
Elizabeth:
Favorite comic books, strips, web comics and their creators?
Dan:
As I said before, I am a Flash fan. Barry Allen was my favorite superhero growing up. I grew up in the 1970’s, and so I am partial to just about anything from the Bronze Age. I’m afraid I don’t read too many of the newer books out there, mainly because Marvel and DC, but DC especially, have started getting way, way too dark with their storytelling. To be honest, I prefer to use my money to fill in the gaps in my collection of Bronze Age books. Oh, and you can’t go wrong with any of the Marvel Essential books and Showcase Presents books.
Still, there are some rays of hope that shine through from both companies. With Marvel, I tend to stick with the Marvel Adventures line. I love those books because there Iron Man isn’t a jerk, Captain America is still alive and Spider-Man never made a deal with the devil, unlike in current Marvel continuity. Also, I love The Amazing Spider-Girl. I have interviewed the creators on that book, Tom DeFalco, Ron Frenz and Sal Buscema several times, and they are awesome guys to begin with, but this book is the only one Marvel is putting out these days that actually feels like the comics I grew up on.
On the DC front, I still pick up Flash and I like Justice Society of America. The books I realy dig though are the Batman Strikes, which is based on the recent CW animated series, and the new Shazam book that just recently launched. There are some indie books out that I like too. The best one I can recommend is a book called PS 238. It is written and drawn by Aaron Williams and follows the adventures of kids at an elementary school for the super-powered offsprings of various meta-humans. It actually has a great sense of continuity, and Williams is brilliant at planting clues about the origin of this school and the super-team that the teachers at PS 238 were once members of.
As far as comic strips go, I of course like Dennis the Menace, and yes, that even includes the ones I didn’t write. I spent my high school years following Bloom County, and still consider it to be one of the best strips ever. I was always a fan of Gasoline Alley, but became an even bigger fan after I met Jim Scancarelli, the artist on that strip this past summer at Heroes Con in Charlotte. Same goes for Snuffy Smith. John Rose, the artist of that strip, is a really nice guy and Marcus Hamilton and I both plotted to get him to come to Heroes this past year I also like Liberty Meadows. Frank Cho draws the most awesomely beautiful women I have ever seen, but also has a marvelously un-PC sense of humor.
I also tend to follow the comic strips that are being drawn by the folks who have left the comic book industry for the funny pages. I love Paul Ryan’s work on The Phantom and June Brigman is someone I consider a friend, so I keep up with Brenda Starr because of her. But there are so many others though. Graham Nolan is doing Rex Morgan, M.D., Rod Whigham just started doing Gil Thorpe, Alex Saviuk and my buddy Jim Amash are doing The Amazing Spider-Man strip and I love the Sunday Funky Winkerbeans because John Byrne usually ghosts those. As for webcomics, let me just say I love everything produced my friends in the NCWCCC!
Elizabeth:
Do you read much manga or watch a lot of anime?
Dan:
There was a time when I was not that big of a manga or anime fan, but that changed once I was hired to do Herc and Thor and pitched a couple of follow-up projects to Antarctic Press. Now I try to absorb as much manga and anime as I can. I’m still learning about the Japanese approach to comics and cartoons, and feel it is important, especially since so many young readers favor manga over the Western style of comics. Before Herc and Thor, I did consider myself a fan of Starblazers, Battle of the Planets and Robotech (which I would also consider one of my all time favorite shows).
Elizabeth:
Your graphic novel Herc and Thor is published by Antarctic Purress http://www.antarctic-press.com/ and was plotted by Rod Espinosa http://www.rodesponosa.com two highly respected names synynomous with the Japanese influence on North American comics. How did that purroject come about?
Dan:
I landed Herc and Thor around the same time I was struggling to get into the comics business. I guess this was around 2003, and I had managed to get published in Scary Monsters and was working for Monster News. I was just breaking in with Comic Book Marketplace, but I really wanted to write comics and not just write about them. I went through the comics listing that Wizard used to run and I sent out copies of my resume and writing samples to all the companies, with the exception of DC and Marvel. By this time, I had gotten a couple of dozen rejection letters from them, so I figure, why bother?
Within a month or so, Antarctic Press was the only company that had even bothered to contact me, and even that was just to let me know they had no work available. Rod Espinosa was the person who emailed me. He was really nice about the rejection, and very complementary about the work I had done already. I figured since he took the time to email me, the least I could do was email him back and thank him for at least letting me know they got my resume.
I also took the opportunity to offer to do some stories on upcoming Antarctic Press projects for Comic Book Marketplace. I figured I could at least sell some articles and perhaps stay in the loop with Rod. A couple of days after that, Rod emailed me back and asked if I would be interested in taking a crack at a mini-series that needed a writer, and that was Herc and Thor. He told me upfront that this would be on spec, but I didn’t care. I was given a chance to write a comic and I jumped at it.
Elizabeth:
That was a rather amewsing take on those deities. Thor is partying hard and the next day wakes up minus a mjolnir. Wacky hijinks ensue on midgard, and there were even a few catgirl sightings! The Godstuds look good in three pice suits. Our Purroducer Mike thought Esther and Yendol looked purretty hot too! How detailed were the notes or direction?
Dan:
Actually, Rod sent me a three page outline of what had already been developed, and I was told I could suggest adjustments, and if the company liked them, they could stay in. Rod asked me to set the story on Earth, and the theft of Thor’s hammer was always the driving point of the plot. Also, as I recall, it was Rod’s idea that the Gods appear in modern clothing to reflect human influences on Earth.
I thought it would be a good idea to have Herc be humble and sort of atoning for his wild and reckless youth. I won’t spoil it for anyone who has not read it yet, but in the story, we learn that when the gods left Earth at the command of Zeus, Herc was left with a big decision that would impact his destiny (that was one of the things I was allowed to change). I figure that decision would cause him to grow up and start to see humans as being really wonderful beings deserving of his respect and his protection.
I think the change in Herc’s attitide and outlook on life was best reflected in how he deals with his treacherous half-brother, Ar-Gont, the god of Pride. Rod always wanted there to be a group of gods who were plotting against Herc and Thor, and I was able to inject some history between Herc and Ar-Gont that explains why the god of Pride hates Hercules as much as he does. For him, its not just about gaining power, but seeing Herc suffer brings him a perverse sense of delight.
Elizabeth:
Did you do much mythological research?
Dan:
Actually, I have always been a big fan of mythology. When I was a kid, I used to scour the encyclopedias in our den for all the entries about the Greek and Roman gods. When it came time to write the mini-series, I did a little research to make sure I had my facts straight about Hercules and also I had to do some research about the Norse gods.
Elizabeth:
We loved the artwork on Herc and Thor by artist Yayoi Neko! How does that writer / artist relationship compare / contrast with your work with Ron Ferdinand and Marcus Hamilton on Dennis the Menace http://www.dennisthemenace.com/ ?
Dan:
Believe it or not, when I was writing the script for Herc and Thor, I didn’t even know who would be illustrating it. About halfway through the process, I heard the name Jessica Moffett, which is Yayoi Neko’s real name, for the first time, but that was it. I didn’t have the chance to see any artwork or speak to Jessica until after Herc and Thor was released. A week or so after the book came out, I went online and found her website and sent her an email thanking her for the wonderful job she did on the book. We traded emails a couple of times, but that was really about it.
Because Marcus lives in Charlotte, I get the chance to see him at Heroes Con each year and we trade emails on a regular basis just to shoot the breeze and keep one another informed of what is going on. I don’t get to see the panels that Marcus does until they are printed, but I know he will always do justice to my ideas. With Ron, I sometimes get the chance to see a rough of the Sunday strips that he does based off of my scripts. Those are always cool to see. The one thing I can say for certain about all the artists I have worked with so far is that they always manage to make me look better than I really am. I don’t know what I would do without them!
Elizabeth:
Of course, for almost 60 years, Dennis the Menace is one of the most beloved, long running newspaper strips of all time. How did you land that purrestigious gig?
Dan:
Well, I met Marcus at Heroes Con back in 2005. I was there lining up interviews for Back Issue and I saw where he was a guest, so I decided to go by and meet him. I had been a Dennis fan from way, way back and grew up on the strip. Getting the chance to meet the artist who worked on it now was a real treat for me. Because I got his contact information at that Heroes Con, I ended up doing an interview with Marcus for Hogan’s Alley, and we clicked when we started discussing Dennis, his career as an artist and both of our outlooks on life.
During the course of the interview, Marcus told me that he had been a classically trained illustrator and he worked as a freelance artist for a number of magazines in the 1960’s, 1970’s and early 1980’s, including Tennis, Gold Digest and even The Saturday Evening Post. But, when the magazines started switching over to computer graphics in the late 1980’s, his client base started to dwindle. He was actually working at a Wal-Mart when he saw an interview with Hank Ketcham and heard Hank say he would eventually like to find someone he could turn Dennis over to.
Marcus knew Jim Scancarelli, the artist on Gasoline Alley, from when they worked together at a television station in Charlotte, NC, and through Jim, Marcus was able to contact Ketcham and made the pitch to become his assistant. That was back in 1993, and Marcus took over the strip in 1994, and worked on it with Hank until Hank finally turned over the reigns and quietly retired. No one knew Marcus was the official artist on the daily strip until Hank’s passing in 2001.
So, what does this have to do with me coming in on the strip as a gag writer? Well, after I interviewed Marcus, and got the impression that he was really pleased with the article, I asked him about the gag writers on the strip (which is something we had touched on during the interview). I told him I was going to take a page from his book, figuring it couldn’t hurt to ask for the chance to prove myself and inquired how one could submit ideas to Dennis the Menace. Marcus talked to me for about forty-five minutes and gave me the “downdside” to being a gag writer (he said the pay per gag wasn’t that much, there were already twelve guys ahead of me with years worth of material already on file, etc., etc.).
But after all that, when he saw I was still interested, he told me to send in some sample gags and we would go from there. He told me that out of ten gags, he normally keeps two. Out of the initial twelve I submitted, he kept six. When that happened, I had a hunch I had landed my dream job. After about half a year of submitting gags to Marcus for the daily strip, I asked him about sending some ideas to Ron Ferdinand for the Sunday comic. Marcus gave me Ron’s email address and encouraged me to drop him a line and pitch him some ideas. Ron was just as nice as Marcus was and just as willing to willing to give me a shot.
Elizabeth:
Could you tell us what that purocess is like, writing for ‘the funnies’? What’s your relationship with the Rolande Ketcham, Dottie Roberson, and the folks at King Features?
Dan:
For the dailies, I submit ten gags at a time to Marcus, every other month, by mail. I write each gag out on a 3×5 piece of paper, and as per Marcus’ advice, I keep the description simple. I might say “Dennis and Joey are playing in a sandbox. Dennis says to Joey:” and then I write out the caption. Sometimes I might need to go into detail about what a character is wearing or something that Dennis is doing, but keeping things simple is the best way to go.
For the Sunday strips, I send those to Ron by email. As I write the script, I have to keep in mind that there are three tiers to the Sunday strip. The first tier is usually two or three panels, and is a gag that may be deleted by local newspapers if they need extra space. That being the case, the gag has to stand on its own, and can’t impact the second two tiers. The second tiers are the main focus of the strip, and usually there are four panels for each of those tiers.
Outside of Marcus and Ron, I really don’t have that much contact with anyone else at Ketcham Enterprises or King Features. From time to time I might need to check with Dottie about something. For example, I have copies of the cartoons that I have written that I sign and give away at conventions. Before I could do that though, I had to run the idea by Dottie and get her approval. All the times I have talked to Dottie have been great. She’s awesome, but then so is everyone else at Team Dennis.
Elizabeth:
A recent Sunday Dennis strip you wrote featured Mr. Wilson imagining an older Dennis. Was that a first?
Dan:
You know, I think it was. I hadn’t thought about that until you mentioned it.
Elizabeth:
What do you think an adult Dennis would be like, or be doing for a living? What about his future relationship with Gina? Would there be a new generation of menaces to make his life interesting?
Dan:
Dennis would be a cartoonist, no doubt about it! A kid that cool just couldn’t grow up to be anything but a cartoonist! I would say that if there is a girl for Dennis, it is Gina. I remember in some of the early strips that I read as a kid, she knew how to put him in his place. I believe every man needs a good woman who knows when he needs to be brought back down to Earth for his own good (and the reverse is true too). On the other hand, Gina always has Dennis’ back, and while she can razz him, Heaven help anyone else who messes with him. She also knows when he needs to be picked up and built up, and that is also important in a good relationship.
Elizabeth:
It is good to see the Dennis strips being collected in handsome hardcover books by Fantagraphics like the Peanuts strips have been. What is your opinion of the various DTM TV series, cartoons, and movie?
Dan:
I remember when I was a kid, I would see the listing for the live action Dennis the Menace television series in the paper, but it only played on the Raleigh stations, which we couldn’t get where we lived, and never the Greensboro stations. I was such a Dennis fan, I really wanted to see it! When Nick at Nite played it, I lived in an area where we simply couldn’t get cable. To this date, I have seen maybe three or four episodes all the way through. But what I saw of those, I liked.
The DiC Dennis cartoon was pretty faithful to the source material and the animation was really top notch considering it was a syndicated show, and turn around on those are usually so fast that producers usually cut corners with the animation. Plus, as I recall, the late Phil Hartman did Henry’s voice in the first season. And really, how can you not love anything with Phil Hartman in it? As for the first films, there was the 1987 made for television film, Dennis the Menace: Dinosaur Hunter, that played in every market except for Greensboro! Now that I think about it, I am starting to wondering if the local channels have something against Dennis… About three years after it first came out, I finally saw it and thought it was a good effort.
The 1993 movie is simply fantastic. Walter Matthau, who played Mr. Wilson and Mason Gamble, who played Dennis, were both spot on casting. Christopher Lloyd and Paul Winfield are two of the best character actors ever, so seeing them in anything is a treat. Nick Castle, the director of the film also helmed The Last Starfighter, which you should know by now is one of my all-time favorite science fiction films. But the icing on the cake is Lea Thompson as Alice. I have been crushing on Lea Thompson ever since Back to the Future.
To show how much I like this woman, I paid to see Howard the Duck in the theaters, twice! But back to the subject of the Dennis movie, Thompson nailed the part of Alice. She’s funny, warm, and I totally see her as a mom, but there is no denying she is still a hottie. As for the other two Dennis films, Dennis the Menace Strikes Back and A Dennis the Menace Christmas, I have not had the chance to see either of those, although the Christmas movie will be on Family in another week or so as I write this. The commercials for it look very promising, so I may have to catch it when it airs. If nothing else, I have to see Robert Wagner as Mr. Wilson.
Elizabeth:
What were your hobbies and interests when you were Dennis’ age- which is five, right?
Dan:
Where we lived, there weren’t any other kids to play with for a mile or so. I pretty much did things that I could do alone, and I’ll be honest, that kind of shaped my outlook for the first fifteen years or so of my life. People who know me now can’t believe it when I tell them, but I used to be quiet and an introvert and was a loner up until college. By age five, I had discovered reading and had developed a budding love of comic books especially.
I had started drawing my own comic books by that time and I was fascinated by anything that had to do with superheroes. I had just about every Mego that was made in the early 1970’s and put those through a number of adventures I made up. Also, I used to love to pretend I was Superman or Spider-Man and dress up like those characters and make my own costumes. My dad wasn’t a big fan of going to the movies, so I rarely ever went to theaters as a kid. But there was always television. We had local CBS, ABC and NBC affiliates, but where we lived, we could pick up a couple of stations out of Roanoke, VA, and all these channels played a wide variety of old television shows (except for anything having to do with Dennis the Menace).
I grew up on a steady diet of cartoons, sit-coms, science fiction shows, westerns, adventure shows and that was where my love of classic television was born. Plus, all the channels had a stockpile of old movies they would run, usually in the afternoons or late at night. I grew up on some of the best films ever made, and some of the worst films ever made, from all genres, and loved each and every one of them while I was watching them. Because of the shows and movies I was exposed to, I started developing an interest in Hollywood history. I not only wanted to watch these shows and movies, I wanted to find out about the people who made them and find out their stories.
Elizabeth:
Please tell us about the Triad’s USS Bonaventure <http://www.ussbonaventurencc102.org> chapter of Starfleet, … both on a national / international level, and what the local chapter is like?
Dan:
The Bonaventure is the Triad chapter of Starfleet, the International Star Trek Association, and the members of the group have been my family to me for over twenty years. I signed up with them my freshman year of college after meeting one of the members, and one of my oldest and best friends, Scott Gibson, at Greensboro College. I can’t say enough about this group, they are a terrific bunch. Because of the Bonaventure, I started socializing with other people and fully came out of my shell. This is also where I got into editing, and eventually took over the ship’s official newsletter.
Most importantly, had it not been for the Bonny-V, I would have never attended my first out of town convention. Basically the group is all about the Trek, but because our backgrounds and tastes are so different, we also tend to introduce one another to new things outside the realm of Trek. We also try to give back to the community too. In the past, the chapter has helped out Victory Junction Gang, Mother Read, the Urban Food Bank and the Red Cross. We meet once a month, and the meetings are open to anyone who just loves science fiction in general.
Elizabeth:
The fan club is dedicated to a 60’s science fiction shows: Star Trek. When did you become a fan of this, and any purrticular favorite eras of either series?
Dan:
I was a Trek fan from the time I saw the animated show in the early 1970’s. Except for Voyager, I have loved every incarnation of Trek, but my favorite is still, and will always be, the original Star Trek.
Elizabeth:
Assuming we’re still watching TV 40 years from now, what other science fiction TV shows do you think will still be going?
Dan:
I think that there are some shows that people will always come back to simply because they are so good they stand the test of time. They are the shows that new generations discover and keep alive. I think people will always come back to classic Star Trek and Next Generation, there is no doubt about that. Of all the Trek shows, they are the ones that have the sense of optimism that inspires people and I think we all need to experience this from time to time. I think Doctor Who is another series that people will still be discovering over and over again and enjoying.
There are other shows that I think will always find an audience, or at least I hope they will, simply because they are good television. The list I provided earlier, my favorites, I hope those will be around in forty years. What I wonder about are the shows that tend to be dark and depressing just for the sake of being dark and depressing. I’m talking about the shows that tend to be cynical and don’t really believe in anything at all, shows that have no message. I would like to think those will fade away in time, that maybe we, as a whole, will want to be inspired by our entertainment and will want to hope and dream.
Elizabeth:
What were the earliest fanzines you read? Was that back in the days of the typewriter and mimeograph machines?
Dan:
I didn’t see too many fanzines growing up. I tried to put out a Trek zine in high school called The Trek Times, but that lasted about three issues, and was only passed around to about ten people. Also, I have worked on All Ahead, Warp Factor One, the zine of the Bonaventure. For the most part, when I got into fandom, and started reading about the shows and comics I liked, I picked up the emerging pro magazines like Starlog, Monsterland and Comic Book Scene
Elizabeth:
What’s tougher- writing comics, or writing ABOUT comics?
Dan:
Neither one. I love writing comics and I also love talking comics. I can honestly say I am blessed to get the chance to do both, and when you get to do what you love, the going is never tough.
Elizabeth:
How do you write? Do you carry a journal and any recording devices in the fine tradition of Carl Kolchak? Do you make shorthand notes to start, or just sit down and start typing away? Do you listen to certain mewsic while you write?
Dan:
I have a notebook with me at all times so I can write down ideas and sketch out characters. Also, when I write a comic, the first thing I do is draw page breakdowns so I get a feeling for the pacing. As I write this, and glance over to my right, on my desk I see three notebooks that are filled to the brim with ideas for series, new characters and the plots for scripts. Also, for the Dennis gags, I keep a 3 x 5 notepad with me at all times so I can write gags down when the inspiration hits me.
I usually don’t have anything playing in the background when I’m writing an article for a magazine like Back Issue or Hogan’s Alley. I tend to tape record interviews, so I can’t have any noise in the background, otherwise I might miss something on the tape. Also, I need silence to compose my thoughts for articles (for example, the radio is off at this moment as I do this interview). When I right scripts for comics though, I do keep the radio on then, but I don’t listen to much music. Over the last few years, I have become quite a fan of talk radio, and 95% of the time I’m listening to that instead of music.
Elizabeth:
What are your purroudest articles or intermews with celebrities?
Dan:
Good question. I would have to say that in the realm of films or television, I was delighted to interview Ben Chapman, the original Creature from the Black Lagoon. Ben had some great stories to tell about his time working on the first Creature movie, and I was proud that I got to interview him about his appearance as the Creature with Abbott and Costello on the Colgate Comedy Hour back in 1954.
Up until that time, I don’t think anyone else had ever interviewed him about that. Also, I was excited when I got the chance to interview Jackson Bostwick, the first Captain Marvel on Shazam!, for Filmfax. I grew up watching that show and I had always been a big Captain Marvel fan. I was thrilled because I had the chance to tell Jackson how much that show shaped my moral character and sense of right and wrong.
In the realm of comics, I’m most proud of the fact that I have gotten the chance to interview Stan Lee for Back Issue. Also for that magazine, I have had the chance to talk with several of my favorite Spider-Man creators, like Tom DeFalco, Ron Frenz, Sal Buscema, Gerry Conway and John Romita, Sr. The two comics related articles I have done that I always point to and say this is my best work are the three part interview I did with William Stout for Filmfax and the George Pratt interview I did for Comic Book Marketplace.
Sometimes you have to stick to the subject at hand when you are doing an interview, but I really got to cover the full scope of the careers and influences of these two gentlemen in these articles. Also, George told me that the school where he teaches requested copies of the magazine with his interview for their library because it was considered to be so good and so informative. You can’t ask for much more than that now, can you?
Elizabeth:
What is the writer / editor relationship like at Two Morrows http://twomorrows.com/, publisher of fine magazines and books about comics?
Dan:
I mainly deal with Michael Eury, the editor of Back Issue, and that is another relationship that I have been blessed with. Michael brought me on board with the second issue, and has always been good about trying to let me do articles that he knows I am passionate about when they fit the needs of the magazine. I also am grateful to him for encouraging me to attempt some articles that I was initially reluctant to do. I can honestly say I have become a better interviewer and article writer because of Michael.
Elizabeth:
Dan:
I have gotten to know Tom Heintjes of Hogan’s Alley a bit over the last couple of years, but I’m sad to say we’ve never had the chance to meet face to face. Tom is another good guy who has been a very encouraging editor. When I was looking for writing jobs, I contacted Tom out of the blue and asked about writing for the magazine. I figured it would take a few days for him to acknowledge the email, and wasn’t sure if he would be open to article suggestions.
I was thrilled beyond words when he emailed me back the same night and wanted to hear what I had to pitch. He was very excited about the interview I did with Marcus, the one that lead to my job with the strip, and he was also pleased with interviews I did with June Brigman and Tim Rickard, the creator of Brewster Rockit: Space Guy! I think the best way to sum up my relationship with both Michael and Tom is that I consider them both friends.
I try to keep up with them even when I don’t have an article due, and with Michael especially I like to just fire off emails to shoot the breeze. We’re both fans of The Andy Griffith Show, so whenever I find something of interest about the show, I send that along to him. Also, whenever he announces the latest theme for Back Issue, I will sit down and write out these long emails about what would be cool for these upcoming issues. No matter how many ideas for articles I send him, Michael is always receptive to them and is willing to hear them out. When I hit pay dirt and come up with a really good one, he is quick to let me know I’m on the right track.
Elizabeth:
What are your next purrojects?
Dan:
I continue to write for Dennis and I have several articles coming up in Back Issue. Also, I have written scripts for Dr. Gangrene’s Creature Feature, a horror host show that can be seen on the CW station, Channel 58, in Nashville, TN. During September and October of 2008, Channel 58 ran a Creature Feature episode every Saturday afternoon at 1:00 PM. Right now, Larry Underwood, aka Dr. Gangrene is discussing plans for the show’s 2009 season, and I expect to be working on more scripts for the show by the end of the year.Meanwhile, I am involved with two different comic book publishers, but due to the wishes of these publishers, I am not at liberty to discuss what I am working on for them with the general public at this time.
I can say that one gig is turning into a regular writing job, and at the worst I have two scripts I will be writing for them in the immediate future, and at best, there could be as many as five scripts. With the other publisher, I am committed to one project, a mini-series, and I just turned in a plot outline for the first issue and it was signed off on. I’ll begin scripting that issue within a week’s time. Again, I wish I could say more, but I can’t. Like I tell people, it feels like I’m dating the prettiest, most popular girl in high school, but her one condition for us to continuing to date is that I can’t tell anyone we’re an item. You want to shout it from the rooftops, but you don’t want to spoil a good thing.
Elizabeth:
What advice might you offer to others who aspire to be journalists, authors, editors or publishers?
Dan:
If you want to work in publishing in any regards, you can’t be afraid to let people see what you can do. There is a great story I tell people about the old man who woke up each morning and prayed that this would be the day that God would let him win the lottery. The old man did this for fifty years straight, and finally one day he woke up and told God that he no longer believed in Him because He wouldn’t let his one request come true. That is when God spoke to the old man and told him that He was more than willing to let the old man win the lottery, but it would have helped if once, just once, the old man had gone out and actually bought a lottery ticket. Lesson of this tale, Editors won’t know you can write unless you take a chance and “buy a lottery ticket,” and submit samples of your work.
Also, don’t be afraid to take opportunities to pursue your dreams in any avenue that opens itself up. I have talked to people that tell me they want to be a working writer, but they only want to write novels or they only want to write film scripts. I always tell them that writing is writing. I’ve written movie and theater reviews, newspaper articles, magazine articles, copy for advertisements and press releases, gags for comic strips, scripts for comic books, scripts for a horror host show and even a script for one short film that was produced and a couple of feature films that still remain unproduced. Anytime someone gives me a chance to put pen to paper, and it is a project that I can be proud to have my name on, I take it. If nothing else, it lets me challenge myself, and nine times out of ten, those writing jobs that might not have been up my alley have led to writing jobs that were what I had always dreamed of.
I would also tell people that if you really want to write for a living, don’t be opposed to taking on a few assignments for free when you’re just getting started. Again, some people I have met who want to be writers refuse to do anything for free, and they want to be paid for their work, even if the work they are doing is not exactly worth paying for. When you’re just getting started, getting experience and getting your name in print is more valuable than a paycheck. Plus, you may write something and not get paid, but you might walk away with valuable contacts for future assignments. With writing, it is all about networking. Don’t get me wrong, I’m not saying you shouldn’t hope to be paid eventually. It is just that when you are starting out, unless you hit it lucky right out of the gate, you’re going to have to pay your dues.
Finally, I would say to all would be writers out there, and this goes for anyone who is pursing a career that they really love, don’t ever give up. If it is meant to happen, it will happen. Being a writer is not the easiest occupation in the world. If it was, everyone would be doing it, right? The road can be bumpy sometimes, and you may find yourself wondering why you are putting yourself through this nonsense when there are other, more profitable things you could be doing. If you know you are doing what you were put on this planet to do though, and you stick to what you know and what you believe in, everything will work out in the end. Babylon 5 said it best: “Faith manages.”
Elizabeth:
Dan thank you so very much for being a fun part of this month’s Mew, and we hope you’ll enjoy the rest of our visit to Catgirl Island!
Dan:
It was my pleasure Lizzy! Thanks for taking the interest in my writing and my career.
Elizabeth:
(snip)
(one short break later)
Feature Purresentation: intermew with
glamorous model & milliner Joei Reed
Jeannie:
Joei Reed is a most talented and glamorous artisan, as a lovely model and maker of such stylish fashions! Her versatility extends to vintage & period styles, to science fiction, fantasy, & horror type modeling & costumes. Her varied looks include goth, anime, retro, noir, pin-up, steam punk, renaissance, faerie and exotic eastern styles! You can view her modeling portfolio at http://www.modelmayhem.com/joeireed and photo sets at flickr.com/photos/joeireed. She has a specialty in costume millinery, and sells exquisite hats at conventions and through her online store, Joei Reed Custom Millinery Joeireedhats.etsy.com. There are galleries of her hats at photobucket.com/albums/ff311/joeireedhats and a blog on hat care at joeireedhats.livejournal.com. She also has a myspace page myspace.com/joeireed and a facebook page http://www.new.facebook.com/profile.php?id=1273823083, and now we’re so please to welcome her to The Mew! Aloha Joei! Would you like tasty a beverage? We have all kinds!
Joei:
Hello Jeannie and the rest of the catgirls! Thanks for having me as your guest on the island! I hear you guys do a wicked Cosmo. :)
Jeannie:
One Cosmo coming up! When did you first realize that you had a talent in visual or purrforming arts, that you wanted to purrsue as either a very serious hobby or possibly as a purrfession?
Joei:
Well my mother actually worked in the fashion industry when she was young, she was a runway and a magazine model and she also worked in the construction of fashion garments. She taught me how to sew at a pretty young age, and she was always great at making costumes and clothing for me when I was a child. (She also knits, something I never learned how to do, maybe because I’m left handed and it’s hard to learn from right-handed teachers!) My mother also did community theater when I was a kid, so I’d go with her and I’d pick up how to do makeup and the like. When I was a teenager, I got into scifi conventions and the costuming that went along with them, so that’s really when I started making my own costumes.
Jeannie:
Could you tell us about your formal training in the theater arts?
Joei:
I actually toyed with the idea of applying to the Fashion Institute of Technology for college, but at that young age I didn’t want to limit my career choice options. I went to Duke instead, but I trained in the costume department most of the time I was there. It was pretty cool, getting paid to sew! I learned a tremendous amount from the costume shop director in terms of professional sewing techniques, pattern drafting, tailoring, and using specialized equipment. It was also where I got my first exposure to millinery, creating hats for historical productions. I also worked in theater at Duke doing wardrobe, and although I enjoyed it, I decided it wasn’t a really stable career choice.
Jeannie:
I understand you’re a fan of tap dance, chorus lines and mewsicals with big purrduction numbers. Do you dance, or have mewsical talent too?
Joei:
I wish I was a better ballroom or tap dancer! I’ve taken a couple of swing dancing classes. It’s one of those things that I keep hoping I’ll find more time to do. I enjoy it, but the hats keep me very busy.
Jeannie:
What are some of your favorite movies or plays for the coiffure & costumes?
Joei:
Oh, the list is long! I recommend that you become a regular fan of Turner Classic Movies if you want to see some fabulous stuff. Actually Judy Garland always had great hair and I think one of the best was “Meet Me in St. Louis” because it has a ballroom scene. Rita Hayworth always looked fantastic as well. She wore some hot hats. A good one is “Cover Girl.” Also, an actress that most people don’t remember much is Alice Faye. She wasn’t a real knockout, and she had a very deep voice, but man did she do that bouffant hairdo up a treat. Check out “The Gang’s All Here” for some of her work.
Jeannie:
(ears & tail purrk with glee) Oh that is so my favorite Judy Garland mewsical! She looked so stunning gorgeous and her… Ah.. sorry. (regains her stoic composure) OH- here is your drink!
Well then, designers Jean-Paul Gaultier and Erte are inspurrational to you. What is it about their work in purrticular that most fascinates you?
Joei:
Well, those are very different designers from different eras, and their work is inspirational for different reasons. Erte was a designer in the 1920s, and his work is very flapper. But so intricate! I could sit there for a half an hour just trying to figure out how he got one piece of a garment to wrap around and through and connect up with another piece. Gaultier is a contemporary designer – he did all the costumes in The Fifth Element. His work is just so futuristic and off the wall. I like other modern designers as well, such as Issey Miyake.
Jeannie:
The Fifth Element did seem like an issue of Metal Hurlant on the big screen, Milla Jovovich was wonderful as Leeloo in that film! Speakign of artists, do you have favorite pin-up artists?
Joei:
Gil Elvgren is the classic one. Vargas also did some great work. For modern artists, I think Olivia is probably the most well known.
Jeannie:
How about George Petty, Pat Nagel, or Dave Stevens?
Joei:
George Petty was definitely a fantastic pinup artist, who actually predated Vargas but is less well-known now, despite his enormous success during his time. I think he might have drawn the first cat girl! :) Patrick Nagel is probably best well-known for his album cover for Duran Duran’s “Rio” in the mid-1980s, and I think that his style has come to epitomize that retro-80s look, which did incorporate some elements from the 1940s, but was more stylized. Dave Stevens I always think of as more of a comic artist first, since he’s so famous for The Rocketeer. But he also did a lot of girlie art in retro style, particularly of Bettie Page. He did beautiful work, although I am not as much a fan of nude art as ones that emphasize the tease factor.
Jeannie:
What historic periods do you purrfer the styles of?
Joei:
Honestly speaking, I like most of them! I love historical costuming. I don’t do too much from the Renaissance period myself, although I like that look. I personally do more from the 17-1800s. I’ve actually been very into the steampunk look (which is sort of neo-Victorian) lately so that’s been one of the major areas I’ve been working on, although without so much of the giant bustle. I like the dresses that have the gathered backs, but I don’t feel the need to wear a frame under them that makes you look like you’re toting around a caboose. :)
I also love some of the looks from the 1910s-1930s, but those designs are often made for the tall, willowy shape, which I am not, so I don’t make too many of those for myself. I am a big fan of the 1940s, with the sleek suits and tilted hats, and I tend to stick to that style. I also like some of the poofier dresses from the 1950s, with the small hats that are closer to the head. Once you hit the 1960s, you start to lose me, and I really don’t have too much interest in the 1970s, except occasionally for some of the retro-spaceage looks. I should also mention that I’m a big fan of traditional clothing from other countries, particularly India and Japan.
Jeannie:
Purrhaps later I could show you my collection of kimonos, yukatas, sarees, and my bellydance costumes! You could wear some during your visit if you like!
Joei:
I’m not sure that we’re the same size, but I’d love to see your collection!
Jeannie:
Ok- and we could get you some to wear in town too! Where are the best places to find books or patterns for period clothes?
Joei:
I’ve had the best luck looking on Ebay. There are also some on Etsy.com. But sometimes you just get lucky. I once got a giant box of old patterns at a vintage store that was going out of business.
Jeannie: :
It sounds like you much have such an extensive wardrobe of wonderful patterns, clothes, makeup, wigs and hats. How big is your closet and how do you store & purrtect such things?
Joei:
I’ve basically got a whole room devoted to costumes. :) It has a sizeable closet where I store most of my costumes and hats, although I am running out of space! Vintage hats should always be stored on mannequin heads whenever possible, and yes I have about a dozen of those. Vintage garments should often be stored flat so they don’t tear under their own weight.
Jeannie:
What is your work shop or studio like?
Joei:
My late stepfather, who was a designer, helped me set up my workspace. He recommended that the best use of space is to get as much up off the floor as possible. So I have a shelf around the top of my work room, near the ceiling, on which I store all my bins of fabric and other supplies. In addition to a sewing machine, a serger (which is a specialized sewing machine used to finish raw edges of fabric) and an ironing board, I also have a large table of adjustable height that I use for both cutting fabric and for doing hand sewing. The table is covered in what’s called a self-healing mat – it’s a plastic you can cut on that won’t show the marks. Usually my sewing table is covered with spools of thread and ribbon, piles of netting, some random feathers, and other things I’m working on that are in various stages.
Jeannie:
That sounds like a wonderful place! What sort of tools, supplies, and equipment do you purrfur to use for your various creations?
Joei:
When you make hats, essential tools, believe it or not, are a thimble and a pair of pliers. The felt on hats is pretty thick so it’s nigh impossible to get a needle through it just by hand. I also have wire cutters for some of the florals I work with. I get specialized millinery feathers and veiling from some of the few millinery supply stores left in the US (there are far more in England and Australia). I used to visit a particular store in New York that had been a millinery institution for about 60 years, but it went out of business last year. I got a big collection of flowers and veiling from them before they closed, but it’s sad to think they’re not there anymore. But most of the actual sewing and decorating of my hats is done by hand with an ordinary needle and thread.
Jeannie:
So how did your millinery business come about?
Joei:
After I graduated college I mostly focused on costuming as a hobby, and I mostly did scifi costumes. But a few years ago I got really into retro and rockabilly styles. Retro reproduction and vintage clothing can be pretty expensive, and I’m not that tall, so most of the time I’d have to tailor it anyway. So I started collecting vintage patterns so I could just resize the patterns and start out with something that was the correct size. But for a retro look, hats are really important. In the 1940s, the style was the tilt hat, also called a doll hat, where the hat was small and was worn at an angle over the forehead, and held on by being pinned to the hair.
Again, the hats I started finding were really expensive, so I figured I could take a stab at making my own. So I started making hats just for my own use, but people started asking about them, so that’s when I decided to take a run at making them for sale. I actually got into the modeling originally as a way to get good photos of the hats I was selling! But both the hat sales and the modeling have taken off, I’m pleased to say. I’ve been selling the hats officially for a little over a year, and there are over 150 women out there sporting a Joei Reed original! :)
Jeannie:
Could you explain the purrocess of designing and making a hat?
Joei:
I take a lot of inspiration from flowers or ribbons that I find that I want to use on a hat. I also recently have been getting in some batches of vintage pieces – usually broken brooches or single earrings that I can “upcycle” into unique hat decorations. If I’m making a hat as a custom order request, I’ll pin it all together and take pictures to show a client, and then take it all apart to construct it once the design is approved. For a top hat, usually I sew the feathers on first, so the bases of the feathers are covered by the hat band that goes around the hat. Usually I sew the veiling on next (unless it’s a detatchable veil). I top it with a decorative piece, such as the vintage jewelry, and then add a comb or a barrette for attachment.
Jeannie:
What are your purrsonal favorite hats?
Joei:
Of my own hats, I really personally love the birdcage veils. They are made from about a yard of netting, which is pleated to fit with a nice amount of poof around the head. I’ve been experimenting with long eyelash feathers, where there’s a long stem with a fan of feather at the end. I also have been working on making feather pads in two colors, where I add some accent feathers in with another color. I recently made a birdcage veil to go with a cherry print dress I made. The feather pad is black and red, and I used a fan of material that’s the same as the dress. I also really like the covered hats. I only make these as custom orders because they take so much more labor and time. I recently made a steampunk hat, with a turned-down brim, covered in brown and cream starred material, and decorated with cream feathers and lace. My other personal endeavor, which I have not yet made for sale, is a mini tricorn hat that I made for a Venetian-style carnival last year.
Jeannie:
Your hats are quite exquisite! How do you light & photograph your purroduct shots?
Joei:
Actually I rely on the photographers I work with to do all that! I know so little about photography! I am very lucky that there are a number of really excellent photographers in this area who like to use me as a subject, because they think my work is interesting to photograph. When I am forced to take my own product shots, I use a very basic point-and-click camera, and I set up the hats on a mannequin head with a wig, on a solid dark background. I’m pretty good with cropping and editing in Photoshop when I need to. :)
Jeannie:
Of course your hats are not all that gets photographed- when did you start modeling?
Joei:
I did a little modeling as a child and since then I had done some posing for illustrators for book covers and the like. But with the retro modeling, I really started doing that only a couple of years ago. I’m actually pretty old to be breaking into modeling!
Jeannie:
Who are your favorite actresses & models?
Joei:
Besides the ones I mentioned before, you can’t beat Mae West. She was such a cut-up. I also loved Ann Miller, a real hoofer. Eleanor Powell is also widely recognized as one of the best tap dancers ever, although I always felt she didn’t have much personal charisma. Ginger Rogers was a lot more interesting. But you can’t top Shirley Temple for a great tap scene and cute dialogue! As for modern actresses, I’ve always been partial to Angela Bassett.
Jeannie:
Oh yes she is the awesome actress. You’ve worked with several terrific photographers. What do you look for – or not- in a photographer?
Joei:
It’s always a good idea to look at a photographer’s portfolio before you agree to work with them. I always favor photographers who are really exceptional at lighting. Shadows are a bear in photography and it takes a good photographer who can get it right, particularly in outdoor shots where you’re not in a controlled studio environment. I’m also always interested in photographers who are wizzes at postprocessing, so they can do neat things with colors or backgrounds or overall look to the photo. But most of all I think it’s important to check a photographer’s reputation on actually delivering shots. You shouldn’t have to hound a photographer for months to get them to send you your photos.
Jeannie:
What do you purrfur about studio shoots, and what do you purrfur about location shoots?
Joei:
Studio shots are far more controlled in terms of lighting. I think it’s a lot easier to get a good, clear shot without any postprocessing in a studio. But location shots offer more interesting settings, obviously. If I’m just looking to do product shots, a studio is the safer bet. But for modeling, if you can be on location, it can give you a better final piece.
Jeannie:
You’ve posed beside some classic cars. What’s your favorite automobile?
Joei:
Actually, I’m a big fan of low riders, custom rods and things like that which are not necessarily completely historically accurate. I am not a purist so I don’t have problems with people combining eras. I think the advantage of being in modern times is that you can look back over a long period of history and take the best pieces that work together. But that being said, Cadillac did make some beautiful cars. And Packards are always a favorite.
Jeannie:
Photo shoot locations graced by your purresence range from elegant to industrial architecture, urban and natural outdoor environments. Which are your favorites?
Joei:
Oh, I always have fun doing car shows, because there’s so much variety! I’m a city girl, so I do like urban landscapes. When I did my Rosie the Riveter shoot in the old Bain Water Plant in Raleigh, it was a real treat, because I got to climb all over these big pieces of equipment and go tromping around in big boots, instead of my usual high heels! So that shoot was definitely a lot of fun. I would like to do some shoots in front of abandoned abandoned houses, places that are obviously urban but which are being overrun and reclaimed by nature, because I find the dichotomy interesting.
Jeannie:
As fond as I am of those sets of you posed with those magnificent machines, my favorite photo shoot of yours is purrobably the RTP Fairies of the Woods. What was that experience like?
Joei:
Mark, who runs RTP Photography, is a truly great photographer. He does some pretty sexy work, but he’s such a sweetheart and a true gentleman, you’d never know it just looking at him. :) Anyway, that spot in the woods was one that he had scouted, and it was a very different style of costuming for me for a modeling shoot. There’s a hair stylist named Lauren O’Steen who often does my hair for shoots, and she just totally poofed out my hair all crazy to give me this wild fairy look, which was DEFINITELY a new style for me. Usually I’m much more about the perfect, controlled styling. :) It was a fun shoot, but Mark really worked the magic in his editing. If you were a bystander looking at him taking those photos, it wouldn’t look nearly as good as it did once he’d finished cropping them and adjusting colors.
Jeannie:
Y’all definitely created some beautiful images! What cons, balls, festivals and other events do you like to attend, and what are some upcoming appearances?
Joei:
Well, lately I’ve been at Zombiecon, which runs twice a year so far. I regularly get to Lunacon, which is in New York in March. I’m planning on attending Castle Carnevale, which is at Castle MacCulloch over near High Point. I often attend Carolina Rollergirls bouts in full retro outfits.
Jeannie:
Zombie con was a fun event, and those castle photos of you are lovely too! I wish the Carolina Rollergirls got much more sports purress coverage.
Joei:
I also am a regular at the Clockwork Ball, a steampunk event held every few months at the club Hell in Chapel Hill, and I believe the next one is on New Year’s Eve. For burlesque events, the next performance of Big Mamma’s House of Burlesque in Charlotte is on Dec 6, which is my birthday, so we may trek over there for that one! The big convention in the costuming world is CostumeCon, and in May 2009 it will be in Maryland, so I am determined to make it to that event this time around.
Jeannie:
Were you in that Steam Punk Justice League cosplay group at What The Hell Con with our friends from Likely Stories?
Joei:
I didn’t make it to that convention, but it sounds like it was a lot of fun! The folks from Likely Stories are a great group; the artist for that series, Stephanie Freese, owns two of my hats!
Jeannie:
Oh yes they are such a friendly and talented group! Do you have any purrdictions for fashion trends of the future?
Joei:
I’m not too impressed with mainstream fashion. Most of it is geared towards tshirts and jeans, and often exposing more of yourself than you really need to. To me it’s very possible to be sexy without letting it all hang out. I think people are always way too concerned with what other people are going to think of them. It’s all about finding your own style and not being afraid to stand out, as far as I’m concerned. I’d love it if people would go a lot wilder with their makeup, for instance. But I’m not one to pass judgment on people based on how they look.
Jeannie:
Indeed. What are your own aspurrations for the future?
Joei:
I’ve just gotten in some new glitter roses that I’m planning on getting on a line of hats for New Year’s, so that’s my next project. I’ve also been trying for months to work on a line of straw tilt hats, but I have not yet found the time between custom orders to get those done, so maybe for the spring! I make a lot of birdcage veils for brides, but I’d like to start making them in more colors for retro girls to wear on other occasions. On a personal front, I’d like to get more of my historical costumes finished for some Steampunk modeling I’ve been trying to schedule. I also need to start working on a costume contest outfit for CostumeCon in May. And I need to make a new dress for Carnevale! A lot of my aspirations involve simply finding time to work on all of my varied projects!
Jeannie:
Do you have any advice for aspiring models or coutures?
Joei:
If you want to do pinup style modeling, study the old classics. Pay attention to how people moved and how they looked. And pay attention to details! Shoes are always the topping touch to a retro outfit. They don’t have to historically accurate, but if they include some retro styling it’ll finish your look so much better. For instance, if you want to wear platform shoes, make sure they have something like a round toe and an ankle strap. Also, in pinup modeling, facial expressions are key. Modern modeling often involves blank looks, whereas most pinup posters involve a lot more animated and fun faces.
Jeannie:
Joei, thank you so very much for chatting with us, it was such a pleasure and we hope you’ll enjoy the rest of your visit to Catgirl Island!
Joei:
Thanks Jeannie, it’s been fun! I’m going to go put on my Esther Williams bathing suit and race you girls to the hot tub! Last cat girl in the jacuzzi has to get a round of drinks for us! :)
Jeannie:
(the tempted kitty)This might mean the show ends early today… we might be right back after this break!
(snip)
(one short wardrobe change break later)
The cat lady sings…
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